Tommy Cobau is a New York–based theatrical milliner whose work spans Broadway, opera, ballet, national tours, and major entertainment companies. Tommy studied Costume Design and Technology in Ohio, where he first developed an interest in sculptural construction and headwear. He went on to complete a millinery apprenticeship at the Santa Fe Opera under Deborah Nash, gaining experience in large‑scale repertory production and the collaborative pace of an opera workroom.

After moving to New York, Tommy’s first role was refurbishing headpieces for the Radio City Rockettes, a fast introduction to high‑volume, high‑precision entertainment work. He later joined the studios of Lynne Mackey and Arnold Levine, contributing to millinery for Broadway productions and cruise ship shows, and building a reputation for consistency, adaptability, and strong workshop communication.

As his freelance practice expanded, Tommy began creating pieces for the New York City Ballet, further developing techniques for lightweight, movement‑responsive headwear. In 2021, Tommy was appointed Head Milliner at the Metropolitan Opera, succeeding Janet Linville. There, he managed millinery builds across a demanding repertory schedule, overseeing teams, budgets, and the technical requirements of productions ranging from new commissions to historic revivals.

In 2025, Tommy established his own millinery studio, where he now works full‑time with a growing team. His shop produces custom headwear and accessories for theatre, opera, ballet, film, and private clients, with a focus on practical construction, repeatability, and meeting the specific needs of performance environments

This podcast is hosted and produced by Lauren Ritchie for MillineryInfo